Mufti Police (2025) REVIEW ft. Arjun Sarja, Aishwarya Rajesh

Mufti Police, known as Theeyavar Kulai Nadunga in Tamil, is the first film by director Dinesh Lakshmanan. The movie stars Arjun Sarja and Aishwarya Rajesh in lead roles. Released on November 21, 2025, across four South Indian languages, this crime thriller mixes murder investigation with personal family drama.

Note: This post is a review only. We do NOT share or promote movie downloads or streaming links.

The film is produced by G. Arul Kumar under GS Arts. Music comes from Bharath Aaseevagan, while Saravanan Abimanyu handles camera work. The story revolves around solving a writer’s murder while touching upon autism awareness.

The Plot Setup

The film opens with writer Jebanesan’s brutal murder in a wealthy apartment complex. Inspector Magudapathy, played by Arjun, takes charge of the case. He uses unconventional methods to investigate residents who all seem to hide something.

Things get complicated when another murder happens – this time a builder. The pattern suggests a serial killer is on the loose in Chennai. The story also follows subplots about personal relationships and autism awareness.

While the opening builds curiosity, the mystery starts feeling predictable midway. Clues appear too conveniently instead of through smart detective work. The film attempts to balance thriller elements with social messages but struggles to blend them smoothly.

Acting Department

Arjun Sarja brings his usual intensity to the cop role. His screen presence lifts many scenes even when the writing feels weak. I noticed his action sequences are sharp and his dialogue delivery fits the stern investigator character perfectly.

Aishwarya Rajesh does well with limited material. She brings depth to dramatic moments and handles emotional scenes naturally. The chemistry between leads works in parts, though I wish their characters had more development.

Supporting actors like Abhirami Venkatachalam and Vela Ramamoorthy appear capable but get little scope. Most characters feel like they exist only to move the investigation forward rather than having their own journeys.

Behind the Camera

Bharath Aaseevagan’s background music is the film’s biggest strength. The score creates tension during investigation scenes and adds mood throughout. Even during slower portions, the music keeps things engaging for viewers.

Saravanan Abimanyu’s camera work looks polished. The lighting captures the thriller mood well, and framing during action sequences is solid. Visual quality never disappoints, giving the film a professional finish.

Editing by Lawrence Kishore maintains decent pace initially. However, the second half drags at points where tighter cuts would have helped. Action choreography delivers what fans expect from an Arjun Sarja film.

Strong Points

The technical team does impressive work. Music and cinematography keep the film watchable despite story issues. Arjun’s performance and action scenes give fans what they come for – his signature style and energy.

Bringing autism into the story shows good intent. This topic rarely gets mainstream attention in our films. The attempt to highlight family struggles around autism deserves recognition, even if execution falls short.

The opening murder sequence builds intrigue effectively. Initial portions set up an interesting mystery that pulls you in. Production values look good for a mid-budget thriller.

Where It Falls Short

The writing becomes the main problem. After a promising start, the story turns predictable quickly. I could guess major twists before they happened. The investigation lacks real mystery, relying on convenient clues rather than clever solving.

Sensitive topics get superficial treatment. Violence scenes lack necessary care in handling. The film jumps between serious drama, forced comedy, and social messaging without smooth transitions. This tonal confusion weakens the overall impact.

Character development remains shallow across the board. Even main characters don’t evolve much. The emotional connect I look for in good thrillers never develops here. Second half particularly loses momentum compared to the setup.

The title promises wrongdoers trembling in fear, but that intensity never shows up onscreen. The film feels routine despite good technical backing and capable cast.

What Critics Said

Most reviewers gave ratings between 3 to 3.5 out of 5. Critics praised technical aspects – particularly music and Arjun’s presence. However, nearly everyone pointed out the predictable storyline and lack of sustained tension.

Several reviews compared it to older Tamil thrillers, noting it follows familiar patterns without adding anything fresh. The promising opening doesn’t translate into a satisfying payoff according to most write-ups.

Audience response mirrors critical reception. People appreciated the attempt to address autism and the slick production. But many felt let down by the weak script. Social media chatter suggests it works better for Arjun fans than general thriller lovers.

Bottom Line

Mufti Police has good intentions and solid craft but stumbles on basic storytelling. The film shows what could have been with sharper writing. It’s not terrible – just frustratingly average given its potential.

Arjun and Aishwarya do their jobs well. Music and visuals look good. But the weak script pulls everything down. If you’re a hardcore Arjun fan, his action scenes might make it worth watching once. For others seeking a gripping thriller, this might disappoint.

The film needed tighter writing and better focus on its core mystery. Social themes required more sensitive handling. What we get is a competent but forgettable thriller that could have been so much more with stronger screenplay work.

Rating: 3/5